Conducting from the Stage
(see the first part of this blog here ) Some time ago, I wrote about how in eighteenth-century melodrama the actor pantomimes every single motive
(see the first part of this blog here ) Some time ago, I wrote about how in eighteenth-century melodrama the actor pantomimes every single motive
Back from Gothenburg, where a group of music and theatre scholars, opera singers and singing coaches got together to discuss ‘vocal color’ in past, present,
Bathed by a wet morning sunlight, the Chateau de Dorigny beckoned. Once visited by the luminaires of the 18th century, it now welcomed a group